Fundamentals of Orthodox Culture: UIC | UIC Lessons | Fundamentals of Orthodox vitrine frigorifice

Fundamentals of Orthodox Culture: UIC | UIC Lessons | Fundamentals of Orthodox vitrine frigorifice second hand Culture | Lessons "Fundamentals of Orthodox vitrine frigorifice second hand Culture" vitrine frigorifice second hand | MIC Program | Program of Orthodox culture. Home ... To help the teacher culture DIC
September 21, new style Orthodox Church celebrates the Nativity of the Blessed Virgin. This event is dedicated to one of the best works of world art - painting Carlo Saraceni "Nativity of the Virgin." On what interested in this work, more than glorified Saraceni and what is the meaning of the Nativity of the Virgin, the historian, theologian Timothy Kitnis.
Formed but it was definitely under the influence of the Venetian School, vitrine frigorifice second hand which, like Venice vitrine frigorifice second hand itself was quite sovereign phenomenon. The Republic of Venice was an independent state, unusual in every sense - and geographically, and landscape, and politically. Thanks to this identity from the Venetians in painting formed its own unique handwriting with a characteristic sense of light, soft tones. Most strikingly, perhaps, in the works of Titian, vitrine frigorifice second hand Bellini and Tintoretto.
The Eternal City has always attracted artists, which is quite natural. But in the XVI century there was one more reason ... The fact that in the first third of the XVI century Reformation shook the Western world. It was followed by a series of protracted wars, the peak of which was the St. Bartholomew's Night in Paris. All this made a significant impact on the philosophy and psychology of society. Naturally, this is reflected in art. By the second half of the XVI century Renaissance era came to an end in painting began to predominate, mannerism. Inside this course vitrine frigorifice second hand there was no desire to convey the harmony between body and spirit, so characteristic of the best representatives of the Renaissance. Heroes paintings now presented in a deliberately mannered vitrine frigorifice second hand poses a major role began playing ornament, vitrine frigorifice second hand decoration items ... Metaphysical vitrine frigorifice second hand meanings vitrine frigorifice second hand in mannerism were largely taken out for braces. In Rome at this time, at the turn of XVI-XVII centuries, lived and worked great master Michelangelo da Caravaggio's realism. He hated mannerism and never been a fan of this style. Moreover, vitrine frigorifice second hand in his painting has always paid special attention to religious subjects.
He seriously came under the influence of Caravaggio, and not only in painting, but also in a personal sense, with all its consequences. Saraceni entered the circle of artists Caravaggists, frivolous bohemia. In this environment, then already formed a special kind of admiration for the artist as a front man, who was elected from birth, which may be allowed what is not allowed to mere mortals. In fact, many artists to highlight their originality, sometimes deliberately behaved frivolously in society. Nevertheless, the main current of life then passed it through the circle vitrine frigorifice second hand Caravaggio. It was extremely vitrine frigorifice second hand interesting phenomenon. Realism of Caravaggio vitrine frigorifice second hand passed through feeling of otherness, the spiritual dimension of life. On the play of light and shadow, he line up the whole drama, showing the crucial moments in the life of his characters, their appeal vitrine frigorifice second hand to God.
By the way, in Rome at that time were not only Italian artists, but the Germans and Dutch. If we talk about Saraceni, the greatest influence on him and Caravaggio Elskheymer representative of the Northern Renaissance.
Caravaggio from him, especially the commitment to realism. If we talk about technology - it's color, light and shadow. True, Saraceni chiaroscuro softer, pastel - she touches semitones. And if Caravaggio uses it in volume, then Saraceni volume - by arches, arcades, space allocation. From Elskheymera he took a darker tone, darkened landscapes. German master these techniques are often used for acute drama. Flashed on a dark background picture fragments attract more attention, become important semantic centers. The most outstanding of his paintings are made in this style. For example, "Flight into Egypt", where the Blessed Virgin and Child with Joseph go in the night, the Lord covers their dark hiding from Herod. Tanned in this work conveys the tense situation. Or, for example, "Fire of Troy": person, someone in anxiety and fear, someone humble, and someone with the determination to leave the city. Part Trojans later, led by Aeneas, osnuyut Venice - and this is the reason why the "Fire of Troy" especially liked Saraceni: version stated here that the Venetians originate from Aeneas.
By the way, as the shadow plays in the works Saraceni a very important role, over time it has inspired a whole movement in painting. It is called tenebrizm, it is characterized by the predominance of shadows over the light. In the XVII century tenebrizm became widespread in Spain and southern Italy (now in the gallery you can see a lot of Toledo works in this style). Overcome it only started in XVIII-XIX centuries, Velázquez and Goya.
The fact that during the connection process started Saraceni Italian Mannerism and Northern Renaissance. Last came a long time existed separately from the Ita