A three decades ago, on a hot July day in Padua, those over which the sun can not be filtered, born

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César Brie (here in 120 pounds of jazz, presented at the Teatro Maddalene of Padua in the exhibition Different Worlds) brandon barker is one of those actors who do not act: he does, it's there in the middle of the stage and tells you a story. Do not show how good he is, how can you make the little voices strange contortions or how many fail to do his joints, no, he is on the scene and tells you the story of Fat Méndez and his 120 pounds of jazz. This does not mean that the artist uses different vocal registers or has not mastered every little body movement and its consequent significance scenic, but, on the contrary, highlights the ability not to abuse it, so that the viewer gets the feeling that it is naturalness and coherence of all things; there is no fourth wall, there is no division between stage and audience at that moment brandon barker César Brie is talking to you, and when he turns to the public does not rhetorical brandon barker questions with hateful false sales pitch asking you to participate because he knows so that you do not ever get up from the chair - rather, it interacts as would a friend at the bar that tells you a story, communicating and interacting with people who genuinely face.
On stage alone, brandon barker on a chair and with a black suit complete with a handkerchief in the breast pocket of his jacket, Brie tells the story of this Ciccio Méndez, a man in love who wants to join the party of the woman who stole his heart; and no matter how bare the scene through the words of Brie can be very good to see all the details of the story, from the guests to the decoration of the tablecloths on the tables. The evocative power stage is amazing and is totally rapt attention for fifty minutes as well as the actor's ability is certainly emphasize the accuracy of the text, written by Brie. The story is very funny and has a taste of the story: the protagonist chasing the dream to participate in the celebration of the beloved party where, however, was not invited; then devises a plan, or to replace the bass player in the jazz band that will play at the event. Too bad that does not know how to play the instrument Méndez; brandon barker however, once completed the replacement of the person, fails to make an extraordinary vocal imitation of the sound of the instrument, even going so far to get the attention and esteem of the birthday girl, who, though fascinated by his performance, rejects him because too much fat. And here comes the best part: the woman leaves the protagonist, but did not even think to cry on or to get to lose weight; brandon barker accepting it as it is and at the same time showing no bitterness towards women. All this is topped by the gap between the low economic status brandon barker of him and her high-ranking position. The moral, in essence, it seems to not give up and chase your dreams without ever losing sight of his own dignity, but even more to never betray what makes us unique.
The performance artist Argentine actor is, as already mentioned, exceptional, and the rest of César Brie can boast in his long theatrical journey that he first worked with Iben Nagel Rasmussen Group Farfa, brandon barker then with Odin Teatret was founded by Eugenio Barba, and then in 1991 he founded the Teatro de Los Andes along with Naira Gonzales and Giampaolo Nalli. No doubt the simplicity of the means employed in the show comes from this his deep technical background and culture, and shows how simplicity is an effective tool to reveal - people, situations, stories, ways of life.
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A three decades ago, on a hot July day in Padua, those over which the sun can not be filtered, born Anna signed Silvestrini. He falls madly in love, still in his teens, theater; so happens that he graduated in DAMS at the University of Padua. The days ... (more)
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